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First Tuesday Book Club: The haunting of Manderley

'Last night I dreamt I went to Manderley again.' So begins 'Rebecca' by Daphne du Maurier, the 1938 gothic novel set in the mysterious mansion of Manderley, with all its creepy inhabitants. Learn more about this thrilling novel and the gothic genre in this clip, which is the first in a series of two.

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First Tuesday Book Club: The lost and the missing at Hanging Rock

Joan Lindsay's 'Picnic at Hanging Rock' is often considered a classic of Australian literature. But what makes it so well-regarded? And does everyone agree? Join in this panel discussion and explore why one person's literary masterpiece is another's turgid pot-boiler.

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First Tuesday Book Club: The power of one book to captivate Australia

Bryce Courtenay's novel 'The Power of One' has sold millions of copies worldwide. But just how did a debut novel, set in South Africa and written by a South African author, end up on the list of '10 Aussie books to read before you die'? Find out more in this clip.

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First Tuesday Book Club: The story behind 'Jasper Jones'

'Jasper Jones' is a novel that recently featured on a list of '10 Aussie books to read before you die'. Does it belong on the list? Many texts make connections to other texts but is this novel too close a retelling of the classic American novel 'To Kill a Mockingbird'? Explore the concept of 'intertextuality' in this clip.

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First Tuesday Book Club: The voice of Albert Facey

Albert Facey's 'A Fortunate Life' is one of Australia's best-loved autobiographies. Could it be Facey's 'voice' in his writing that touches the hearts of so many readers? Explore this clip to learn more about how the written word can capture the personality of a writer.

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First Tuesday Book Club: What's so funny about parody?

Parody is a popular form of humour where a particular subject is mocked or trivialised. The novel 'Cold Comfort Farm' is an example of parody. But what makes novels such as this so funny? Find out more by exploring this clip.

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Gary Crew and the role of objects

In some stories, writers use particular objects as symbols. In other stories, writers use objects as tools to help them shape their narrative. What does Gary Crew say about the meaning of the ring in Strange Objects? What is its purpose within the story?

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George Orwell’s '1984'

1984 is a novel by British author George Orwell, published in 1949. How has that period - the late 1940s - shaped the novel? What world event and its consequences led to Orwell writing such a dystopian novel? Professor Bowen claims the Senate House, formerly Ministry of Information, is the basis for the novel's Ministry ...

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Getting inside Hamlet's mind

Imagine your whole world has been turned upside down. How would you react? Join James Evans and actor Tom Conroy from Bell Shakespeare as they explore how this soliloquy from Act 1 reveals Hamlet's fragmented state of mind following the death of his father and, as he sees it, his mother's betrayal. Learn how the soliloquy ...

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Great Expectations: Victorian and Gothic

How does Charles Dickens weave Gothic elements into his classic Victorian novel, Great Expectations? Listen as Literary Professor John Bowen explains some of the ways in which Dickens draws on the Gothic tradition to challenge the conventions of Victorian literature. Consider the importance of time, repetition, violence, ...

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Hamlet: Mischievous or mad?

The question of whether Hamlet is mad or just pretending to be has plagued critics and theatre-goers alike. In this excerpt from 'Hamlet', the audience is confronted with this very question. Watch Eryn-Jean Norvill and Tom Conroy from Bell Shakespeare as they present the encounter between Hamlet and Ophelia from Act 3, scene 1.

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Hamlet: The depth of Ophelia's despair

Ophelia is the most piteous character in 'Hamlet'. It seems that everyone wants to use her for their own gain. Here, Eryn-Jean Norvill and John Bell from Bell Shakespeare explore this fragile character as they answer questions put to them by interviewer James Evans.

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Hamlet: Torment and tragedy

Hamlet is one of Shakespeare's most tormented tragic heroes. Unlike the protagonists of most other tragedies, Hamlet begins the play in a state of anguish. In this early soliloquy, the audience learns why. Tom Conroy from Bell Shakespeare realises Hamlet's agony in this moving excerpt from Act 1, scene 2.

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Hannie Rayson on the Australian voice in theatre

How important do you think it is to hear Australian stories told on stage? Listen as Hannie Rayson explains her early beliefs about where great drama comes from. After watching this clip, try writing a dramatic scene that takes place at a family barbeque.

Online

Henry Lawson the Poet

Students study one poem by Henry Lawson in depth, investigating a range of language forms and features, before illustrating their poem to reflect the imagery portrayed in the words, and reciting their poem to the class. This activity is supported by resources (photographs, video and textual records) from the State Library ...

Audio

Heywire: Autobiography of a flood survivor

Imagine if the town or suburb you live in came under threat due to a natural disaster. How would you react? Shelby Garlick from Kerang, Victoria, was a finalist of the 2012 Heywire storytelling competition for young people. Listen to her inspiring story and explore the lessons she learnt as a result of working with her ...

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Heywire: Cows, crops and bulbous lumps

How do you convince people that studying agriculture was the highlight of your school career? Good writers will consciously shape their text to suit their audience and purpose. Listen to Alexandra Neill's Heywire audio story to explore her successful range of strategies. Could you write or record a story about yourself ...

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Heywire: Crocodiles, jellyfish and self-expression

Have you ever sat through a classmate's oral presentation and nearly fallen asleep in the middle of it? Often this is because the speaker isn't using their voice in a way that gets your attention and keeps you interested. In this Heywire audio story, explore how Alpha Capaque, a young woman from the Northern Territory, ...

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Heywire: Drinking the substitute

While working as a barmaid, Cara Ferguson formed strong views about alcohol. Listen to her Heywire audio story and consider how she represents heavy drinking. Find out her attitude to the glamorisation of alcohol consumption and the downplaying of dangers associated with it. How does she maximise the impact of her views?<br ...

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Heywire: Fortissimo frogs frustrate family

How could words convey the nightly racket of hundreds of croaking frogs outside your bedroom window? Can you think of ways to engage readers' senses so that they 'experience' the frog chorus? A use of imagery is one of them. It's something we'll explore in this humorous story about the perils of frogs. Could you write or ...